Ecclesiasticarum cantionum, liber 7
Collection
Ecclesiasticarum cantionum, liber 7
Contains
Scoring summary: V (5)
Subject: Motets
Scoring: S, Contra-T, T, B, V 5
Original Title: LIBER SEPTIMVS | ECCLESIASTICARVM | cantionum quinque uocum | Vulgo Moteta uocant, tam ex Veteri ex Nouo | TESTAMENTO, AB OPTIMIS QVI- | busque huius aetatis musicis co[m]positarum. | Antea nunquam excusus | Omnes de uno tono. | SVPERIOR. | ANTVVERPIAE EXCVDEBAT | Tilemannus Susato e regione statere noue | Anno M.D.LIII | Cum gratia et priuilegio | Cesareae Maiestatis. | De Lange.
Material:
  • Source type:
    Source type: Print
    Content type: Notated music
    Date:
    1553
    Publishing, printing and production information:
    Place: Antwerpen T. Susato 1553 01
    Publisher, copyist: T. Susato
    Material:
    Format, extent: 5 parts
    Parts held and extent: S, Contra-T, T, B, V 5: 16, 16, 16, 16, 16 f.
    Special production technique:
    Printing technique: Typography
Publisher:
Notes: Contains: Benedictus, C. Canis (3), Clemens non papa (3), T. Crecquillon, J. Gallus, J. Guyot, C. Hollander, J. Lupi (2), P. de Manchicourt, C. Potier, Anon.
5 Stimmbücher: Superior, Contra Tenor, Tenor, Bassus, Quinta Pars. Jeweils f.2-16.
In allen Stimmen auf f.1v: "INDEX". In S, T, B in Zeile 4 und 13 fälschlich "Clemenson Papa" und für Nr.8 "Cornelius Canis" statt "Incertus Autor", für Nr.4 fälschlich "Ian Louys" statt "Clemens non Papa". In 5 auf f.1r: Zeile 7 "QVINTA PARS.", Zeile 8 "De vno tono", Zeile 9 "Antea nunquam excusus". In Contratenor auf f.1r: Z.7+8 "Omnes Primi toni. / Antea nunquam excusus". In allen Stimmen auf f.2r: große figurierte Schmuckinitiale.
LincolnM 1993, p. 764 (mit Musikincipits sämtlicher Stücke und Stimmen). Ausgabe von Nr. 3, 6, 8-11, 13, 14, 16 in: Sixteenth-Century Motet 16.
Record enhanced based on details from Early Music Online.
Contents note: Pater peccaui (Secunda pars: Quanti mercenarij) / Pe. Manchicourt -- Domine non est exaltatum (Secunda pars: Sicut ablactatus est) / Cleme[n]s non Papa -- Domine quid multiplicati sunt (Secunda pars: Voce mea ad dominum; tertia pars: Non timebo milia) / Incertus autor -- Hec est arbor dignissima (Secunda pars: O crux benedicta) / Clemens non Papa (pasted above score in all other part books) or Ian Louys (in index and above score in bassus) -- Gregem tuum o pastor (secunda pars: Aue regem gloriose) / Ioannes Lupi -- Dixerunt impij adpud se (secunda pars: Videamus ergo) / Cornelius Canis -- Virginibus sacris (secunda pars: Milibus vndenis) / Ioannes Lupi. -- Inuocaui nomen tuum (secunda pars: Per singulos dies; tertia pars: In tribulatione mea) / Cornelius Canis (in index) or Incertus autor (above score) -- Iuxta vestibulum & altare (secunda pars: Immutemur habitu in cinere) / Christophorus Potier -- Aue sanctissima Maria / Cornelius Canis -- Ne proijcias me (secunda pars: Annos aeternos in mente habeam; tertia pars: In pace in idipsum dormiam) / Tho. Crecquillon -- Aperi domine oculos (secunda pars: Afflige opprimentes nos) / Benedictus -- Suscipiens Iesum in vlnas suas (Secunda pars: Responsum accepit Simeon) / Christianus Hollandere -- O florens rosa / Ioannes Castileti -- O Quam dulce spectaculum (secunda pars: Nam vultus eius claritas) / Cleme[n]s non Papa - Quous[que] domine (secunda pars: Confringe brachium) / Ioannes Gallus.
RISM series: B/I
Source of description note: GB-Lbl K.3.e.3.
External Links: Early Music Online
Bibliographic reference: vol. 2, p. 95-96 1553f p. 764
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Hungary
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Material held: ST 5
Netherlands
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Material held: SAB
Sweden
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Material held: S
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Material held: STB 5
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Material held: ATB 5
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RISM ID no.: 993120059
Last update: June 11, 2023