On this page you find information about Simple Search, Advanced Search, Search Result, Display, How to Search for Music Incipits and Abbreviations.
The single search slot is intended to conduct an undifferentiated full-text search.
Truncation and search by phrase are possible.
| Example: | Zar* | |
| Autograph Mozart | ||
| Don Giovanni di |
This sort of search is possible with three slots, which can be assigned to the indices indicated by opening the windows. Truncation and search by phrase are possible.
Indices:
| free search | Like the basic search |
| composer | Name, initials, pseudonyms etc. of composers |
| further persons | Names, initials, pseudonyms etc. of individuals which do not occure as composer in the index: arrangers, co-composers, copyists, performers, dedicatees, librettists etc. |
| Title | Individual title, classification title, genre, text |
| Catalogue of | |
| works number | The abbreviation of a catalogue of works and the number of the catalogue of works |
| Key | Usual major and minor keys, church modes 1t to 10 t |
| Institution | Institutions which have a connection with the work: eg as dedicatee, performer (except provenance) |
| Provenance | Names of persons or institutions that have had possession of the source |
| Dating | of the source |
| Type of material | Copy, autograph, partial autograph, questionable autograph, print |
| Water mark | English terms like moon, flower or lion can be searched |
| Language of text | |
| Liturgical feasts | Liturgical terms such as Pentecostes, Trinitatis or Pascha, |
| Instrumentation | See the list of abbreviations for instrument abbreviations |
| Library sigla | RISM library sigla like D-B, GB-Lbl, F-Pn, etc. |
| Shelfmark | Eg Mus. Ms. 1736 |
| RISM ID Number |
| Example: | 1) Composer: Haydn | |
| Title: Symphonies | ||
| Key: E major (the key of individual movements can also be searched) | ||
| 2) Composer: Hasse | ||
| Siglum: -D* → all Hasse sources outside Germany |
The result is given in a numbered list arranged by composer. As well as the composer, the title, key, an abbreviated instrumentation, the library siglum and the shelfmark are also shown.
You can refine the result by using the navigators (genre, composer, type of material, instrumentation, location) on the left.
By clicking you come to the
The display shows the entire entry including incipits. It is arranged in blocks.
At the beginning is the composer, and at the end the place where the source is held and the shelfmark.
By clicking on terms marked with i and highlighted in blue you open a window with further information.
If the caption “In Collection” appears, it means that the work described is part of a manuscript collection or collective edition. By clicking on the blue number indicated you come to the main entry of the collection. From there, you can call up any of the works surviving in the collection.
See the table of abbreviations below as required.
RISM has published the guidelines on which the descriptions are based on its website.
The search for the music incipit (beginning notes) of a composition is only concerned with pitches. The search is based on the progression of pitches and does not take into account any other search parameters, such as rhythm or accidentals. This way, the number of hits is increased and entering the search terms is considerably easier.
Selecting the option “Music incipit (with transposition)” will also include incipits that have been transposed from the initial search inquiry.
You may enter either upper or lower case letters. For the English note name “B,” either “B” or the German “H” may be used. Grace notes and ornaments are ignored. The search is truncated right.
Examples:
a.
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Search term: “fgfbagfa” (Music incipit)
b.
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Search term: “cdefgfead” (Music incipit) or “defgagfhe” (Music incipit (with transposition)).
Tips and tricks:
The number of hits depends on the length of the search term. Your results will be more effective if you enter 7 notes or more, depending on the incipit.
The music incipits in RISM are not standardised in any way. Instead, they reflect the incipits as they appear in the sources themselves. Accordingly, there may be slight variations among different copies of what is essentially the same work.
Not every source described in the RISM catalogue includes a music incipit.
The incipit search does not differentiate between different octaves. A search for the notes “cf” will find both the upper fourth and the lower fifth. For that reason, trivial broken triads will only make navigating the number of hits difficult.
You can make a search especially effective by combining the incipit search with the search filters of the RISM online catalogue.
The RISM online catalogue currently contains over 1.1 million music incipits.
| A | alto |
| a-trb | alto trombone |
| a-vla | alto viola |
| Ar: | arranger |
| arp | harp |
| Autograph | autograph |
| ?Autograph? | presumably autograph |
| B | bass (vocal) |
| b | bass (instrumental) |
| b-trb | bass trombone |
| b.fig* (nur als Stimmenbezeichnung) | bass, figured |
| Bariton | baritone |
| bass: | thorough-bass mentioned |
| bc | thorough-bass (figured) |
| bombarde | bombardon |
| brasses | brass players: cor, clno or tr, trb |
| cb | double-bass |
| cemb | clavicembalo, cembalo, virginal, spinet |
| cemb 4hands | clavicembalo, cembalo, etc. fourhanded |
| chalumeau | shawm |
| choir book | choir book |
| cl | clarinet |
| clav | clavecin |
| clno | clarino |
| cnto | cornetto |
| Co: | cocomposer |
| comp: | date of composition |
| Contra-A | contralto |
| contra-fag | double bassoon |
| cor | horn |
| cor di bassetto | basset horn |
| cor inglese | cor anglais |
| Coro | choir parts |
| Coro | choir |
| date | |
| 1691 | in 1691 |
| 1782a | before 1782 |
| 1782c | about (ca.) 1782 |
| 1782p | after 1782 |
| 18.in | beginning of the 18th century |
| 18.me | middle of the 18th century |
| 18.ex | end of the 18th century |
| 18.1t | 18th century, first third |
| 18.3q | 18th century, 3rd quarter |
| 18.2d | 18th century, 2nd half |
| 18.sc | 18th century |
| 18/19 | 18th/19th century |
| 1691* | born 1691 |
| 1797p+ | died before 1782 |
| 1782p+ | died after 1782 |
| De: | dedicatee |
| Dessus | soprano (vocal) |
| dessus | soprano (instrumental) |
| Ed: | publishing company |
| fag | bassoon |
| fl | flute |
| fl.picc | piccolofuvola |
| guit | guitar |
| hautecontre | alto instrument |
| hpcd | harpsichord |
| i | instrumental part |
| Incipit corrected | mistakes within incipit corrected |
| Incipit incorrect | mistakes within incipit not corrected |
| Incipit transposed | incipit is transposed |
| Incpl: | incomplete (enumeration follows) |
| iSol | solo instrument |
| iSol: | instrumental soloists mentioned |
| keyb: | keyboard instruments |
| ecclesiastical modes: | |
| 1t | 1st tone (Dorian) |
| 2t | 2nd tone (hypodorian) |
| 3t | 3rd tone (Phrygian) |
| 4t | 4th tone (hypophrygian |
| 5t | 5th tone (Lydian) |
| 6t | 6th tone (hypolydian) |
| 7t | 7th tone (Mixolydian) |
| 8t | 8th tone (hypomixolydian) |
| 9t | 9th tone (Aeolian) |
| 10t | 10th tone (hypoaeolian) |
| 11t | 11th tone (Ionian) |
| 12t | 12th tone (hypoionian) |
| Kornetto | cornet (not cnto) |
| lute | lute |
| Mezzo-S | mezzo-soprano |
| No title indicated | no title indicated |
| ob | oboe |
| ob d'amore* | oboe de amor |
| olim: | old signature |
| oN: | further names |
| orch | orchestra (instrumental ensemble) |
| orch: | further instruments mentioned |
| org | organ |
| org 4hands | organ (four-handed) |
| oT: | alternative title |
| part | part |
| Pe: | performer |
| 1.perf: | 1st date of performance |
| perf: | further date of performance |
| pf | pianoforte |
| pf 4hands | pianoforte (four-handed) |
| Pl.no: | record number |
| plck: | plucked instrument(s) mentioned |
| Prov: | previous owner |
| (distinction between | |
| person and institution) | |
| publ: | date of publication |
| recorder | block flute |
| RISM A/I | cross-reference to RISM series A/I |
| RISM B/ | cross-reference to RISM series B |
| Role: | role |
| S | soprano, cantus, discantus |
| score | score |
| See: | see: (literary reference) |
| short score | piano reduction or |
| compressed score | |
| Sprechstimme | speech voice |
| stck | percussion |
| strings | vl 1, 2, vla, vlc, b |
| T | tenor |
| t-trb | tenor trombone |
| taille | tenor part |
| Te: | librettist |
| theorbe | theorbo |
| timp | timpano(s) |
| keys: | |
| major (mode): C, G, D, A, E, B, F#, C#, F, Bb, Eb, Ab, Db | |
| minor (mode): a, e, b, f#, g#, d#, a#, d, g, c, f, bb | |
| for example: | |
| A | A major |
| B | B major |
| b | B minor |
| f# | F-sharp minor |
| Bb | B-flat major |
| tr | trumpet |
| trb | trombone |
| Treble | highest voice within sentence |
| treble | treble-highest instrumental voice |
| V | (vocal) voice |
| V 5 | 5th voice |
| Vag | additional voice |
| violetta | violetta |
| vl | violin |
| vla | viol(a) |
| vla d'amore* | viola d`amore |
| vla da gamba | viola da gamba |
| vlc | violoncello |
| vlne | violone |
| VSol | vocal solo parts as code: S, A, T, B |
| VSol: | vocal solo parts mentioned |
| winds | wind players |
| Without shelfmark | without shelfmark |
| Without title | without title |
| wm: | watermark |
| woodwinds | woodwinds: fl, ob, cl, fag |
| Wri: | writer |